Dead Leaf Echo - Pale Fire

I'm only now getting acquainted with Dead Leaf Echo, a fantastic shoegaze band from New York. The band consists of LG (vocals, guitars), Mike DiLalla (bass), Liza B (keys, vocals) and it appears they might still be looking for a full time drummer. Perhaps? Anyways, The Pale Fire EP is their second release. I have not heard their first (entitled Faint Violet Whiff) so I've got nothing to compare this to, but this one is incredibly impressive. The EP opens with a little song called Warm Hands which is exactly that ... little. But you'll notice as the album progresses that this is just the dynamic that the band likes to deliver, dolling themselves out bit by bit, until they charge straight ahead with a steady charge of captivating guitars and tantalizing vocals. The second and third tracks are Thought Talk and Tears, which are both beautiful voyages in themselves, showcasing dense sounds, coupled with thought provoking lyricism. It's on the fourth song that things get really interesting. This one is called Cry The Sea, and it's a slightly upbeat little anthem with a driving drum sound and sweeping guitars. The last two songs, Pale Fire and Reflex Motion, take up more than half of the running time of this EP, but they are also the most satisfying songs of the lot. The first song is mixed by Ulrich Schnauss (yes, THAT Ulrich Schnauss) and it nails that shoegaze sound, in the same way that Serena-Maneesh did a couple of years ago. Both of these songs believe in the 'steady build' approach to song craft, which leaves me feeling slightly exhausted at the end, but in the same way that a huge delicious meal makes me feel. The fact is, Reflex Motion is about six and a half minutes long, but I found myself never wanting it to end. Dead Leaf Echo's Pale Fire EP has already been garnering a lot of rightfully deserved praise, and seeing as they completely sold out of the first pressing, you might want to snatch yourself up a copy of the second pressing before that's gone too.

Download: Pale Fire mp3

Myspace: Dead Leaf Echo

City Breathing - Look How It's Snowing Upwards, Look How They Move Towards Heaven

There are many words that can be used to describe City Breathing's Look How It's Snowing Upwards, Look How They Move Towards Heaven CD. Some that come to mind are elegant, magnificent, ethereal and beautiful. City Breathing is a Brooklyn based three piece consisting of Arun Antonyraj, Marwan Kanafani and Ron Tucker. You've probably noticed that the album title is somewhat epic in wording, and that is definitely suitable for this band. There are only 8 songs on this one, but the CD is still over 50 minutes in length with the average song sitting within the 6 to 7 minute range. To say that the CD requires a little bit of patience is perhaps accurate, but not entirely without reward. The vocals are soothing, yes, but never comatose. Quite frankly, the fact that the songs are mellow does not mean that they are not exciting. On the contrary, their epic nature makes them some of the most enthralling and majestic pieces of music you'll hear all year. The album took me about 3 listens to fully appreciate, but now I can't stop listening to it. The way the vocals and the instrumentation complement each other to create an effervescent cinematic soundscape of beauty and melancholy is something that is often attempted but rarely successfully executed. Look How It's Snowing... is a grand achievement. Definitely worth spending some time with.

Looking to the digital future in the same way that many other bands have in recent years, City Breathing's label Roses & Hello is offering a high quality download of their CD in a pay what you can fashion. The same goes for physical copies of the album and other merchandise.

Download: We Can Retrace The Sinking Sky mp3

Download: Rain and Revolution mp3

Myspace: City Breathing
Video: Rain and Revolution on youtube
Video: City Breathing EPK on youtube

Leh-Lo - Zig Zag

It's true that Lehlohonolo Tony Rabalao has been playing drums throughout the Canadian Music Scene for quite a few years now, but his latest solo album shows that he's much more than just another drummer. "Zig-Zag" is a very impressive release that hops across genres with so much ease that you know he's been carefully studying the art of songwriting while pounding the skins for artists such as Joydrop (whom he also wrote for) and Big Sugar.

In a word, the album rocks. It opens with the title track, an infectious tune with pounding drums, thumping keys and an incredible vocal. It sets the bar pretty high for the rest of the album, but thankfully Leh-Lo does not disappoint. Another rocker is "All Alone," a song that presents a powerful message on equality that never sounds preachy or angry, but honest. "Rocket Science" contains a sly and thought provoking lyric that is nicely wrapped in a hooky melody that is very easy to enjoy. As soon as the driving bass line of "The Numbers" kicks in, you know that you're in for yet another symphonious slice of power pop perfection. What really makes that song for me, is the addition of a swirling wurlitzer, which jumps in at exactly the right time, making this song rise above any others of its ilk. Finally, along with the title track, my other favorite song is the closer, entitled "Responsible." It's a very simple melody but again, the vocal is flawless and, although it's only 3 and a half minutes long, there is still something very epic in its delivery. Overall, 'Zig-Zag" is a very well produced and timeless release that is sure to impress all who give it a listen.

Myspace: Leh-Lo
Purchase: Zig-Zag over at CDBaby and iTunes.
Read more about Leh-Lo over at off-off-indie recordings.

Trying To Separate An Ocean From These Tears We Cried...

It's February, it's snowing like a madman and you've been very patient so let's back into this...

All of the official reviews and whatnots shall commence starting tomorrow, but today I just thought that I'd get all random and just talk about whatever I darn well feel like talking about. Musically speaking, of course.

First of all, looks like I won't be freezing my can off with The Weakerthans tomorrow after all. You see, when I got married 10 and a half years ago, my wife took on the job of remembering stuff and I took on the job of not. So she remembered that we have a family engagement this Saturday night and I, of course, did not. Family first, kids, which means the rest of y'all will have to tell me how the show went. I guarantee that I'll be catching them someday, but whatever.

Download Weakerthans songs:
Last Last One mp3 / Aside mp3 / Plea From A Cat Named Virtute mp3

Also, I made a promise to myself and others that I'll be toning down the concert goings this year (last year almost killed me,) but that doesn't mean that there aren't any good shows awaiting my future. This month I've got Dean and Britta at The Mod Club on February 9th. They're actually opening for Keren Ann, who sounds very reserved from what I know of her, which isn't much.

(UPDATE: Apparently, Dean & Britta and Keren Ann are doing a double headlining tour which means that they will take turns as headliners. This means that for the Toronto show, Keren is the opener and D&B takes the headlining slot. Suh-weet!!)

I've also got the magnificent Nicole Atkins on February 17th, who is going to blow your mind if you take this opportunity to see her. I can't wait. I'm hoping to catch Mr. Dan Bejar as Destroyer at Lee's Palace on April 19th. He'll be supporting his new CD 'Trouble In Dreams' which is out in March. And the most exciting news is the return of R.E.M. Now I truly hate the Molson Amphitheater with an intense passion, but check out this lineup: R.E.M. has The National and Modest Mouse opening for them. That's ridiculous. I'll have to wait on the price, but I may be willing to break into the piggy bank for that one. That show is on June 8th. The new CD is called 'Accelerate' and it's out on April 1st. I don't want to get ahead of myself, but from what I've heard it sounds like this has the potential to be the college rock comeback that I've been waiting for. Sweetness follows....

Download:
Destroyer - Foam Hands mp3
The National - Fake Empire mp3
Keren Ann - Lay Your Head Down mp3
Dean and Britta - Words You Used To Say mp3

Finally, I'm not sure if I'll be able to attend all of the TWM showcases to come, but even if I can catch one a month, that'd be wicked cool. And this month's first one sounds like a good place to start. The Schomberg Fair, The Stables and B.A Johnston. Mmm-hmmm. February 8th. There's more neat shows coming up, but gah, I'll talk about that another time.

Download:
The Schomberg Fair - John The Revelator mp3 / Some Things Never Change mp3
The Stables - Too Old To Skate mp3

My latest issue of Under The Radar has just arrived. I decided to subscribe since I pick up every issue anyways. Right now it's doing a whole half price thing and of course, you get the free CD too (mine was Prefuse 73's 'Preparations'. I'll let you know if it's any good.) The cover features a project that I'm mega excited about, going under the name She & Him. It's actually Zooey Deschanel and M. Ward and what I've heard sounds amazing. The CD is called 'Volume One' and it's out on March 18th on Merge.

Download:
M. Ward featuring Zooey Deschanel - When I Get To The Border mp3 (from The Go-Getter Soundtrack)

I think that'll do, donkey, that'll do. Enjoy the downloads and hopefully tomorrow I'll be throwing up some reviews on the artists that have been exciting me over the last few weeks.

The Vandelles - EP

The Vandelles have been all over the blogosphere and with very good reason. An EP has to be pretty dang good for me to talk about it here and The Vandelles "EP" is just that. They have a completely unique shoegaze meets surf rock sound with 100% more pulp thrown into the cocktail. The ringing distortion should be cranked up to 11, while the dreary harmonies will make you want to don some cool cool shades for the rest of the day. It's a type of music that just makes the average geek want to be James Dean. I can't even fully explain why that is, but just listen to some of the songs on their myspace. Dead Wave, (which actually isn't on their myspace, now that I think of it) for example, opens with a chord progression similar to Open Up Your Door by 60's garage rockers Richard and the Young Lions. That means that it has definite Nuggets-era feel to it, while the vocals are more steeped in Jim Reid territory. The mini-album opens with Fever Of The Beat, which not only has a cool title, but an even cooler bass line. Swell To Heaven is their signature song, and it hits you with a definite Ramones riff that has been best described as Link Wray meets My Bloody Valentine. The EP is short, (as EP's generally are) but that won't stop you from listening to it a solid 5 times in a row. It really is that good.

Download: Swell To Heaven mp3 / Lovely Weather mp3
Myspace: The Vandelles
Purchase: EP at Safranin Sound
Video: Lovely Weather live at Club Midway in NYC on youtube.

Ohbijou, Basia Bulat and Bruce Peninsula @ Lee's Palace

I Heart Music recently posted the results of the Hottest Canadian bands survey and with Ohbijou placing at number 17 and Basia Bulat all the way up at number 5, the bill at Lee's Palace definitely fell into the must-see category of my 2007 concert going experiences. The show was phenomenal, as one could only expect.

I've been wanting to check out Ohbijou for quite some time now. The reasons for this are many and varied. First of all, I really like Swift Feet For Troubling Times, their debut release. It's such a beautiful and atmospheric album, with just a hint of melancholy. However, I could tell just by the way it sounds, that it likely does not even hold a candle to what the band can accomplish live. Secondly, everyone I know who's seen them has been throughly impressed. Also, I love violins and all the other instruments in the violin slash stringed family of instruments. That, they provide. To my surprise, the evening also included a horn section. I absolutely adore live horns. They give me chills. Finally, another thing that really peaked my curiosity concerning this band is the fact that the last time that I attempted to see them during NXNE, the lineup at The Horseshoe extended way down the block and around the corner. Well, I finally satisfied my curiosity on Friday night, and all of these reasons are well founded. The mellower songs were bone chilling, as I knew they would be, but it's the slightly faster ones that really impress. They come across as larger than life in a heavens opening, clouds parting sort of way. My memory is a bit hazy, but I believe it was during The Woods, when the band went on a percussion frenzy, grabbing drum sticks and tappy-tapping on anything that they could find near or on the stage, whether it be, the wall, the stairs or the ground. I also remeber being very impressed with the musical talent possessed by Casey Mecija, as she switched off instruments several times during the show.

Photos: Ohbijou @ Lee's Palace on flickr.
Download: St. Francis mp3
Myspace: Ohbijou

Ranking number 5 on the above list is really impressive considering the fact that Basia Bulat seemed to achieve recognition everywhere else before she caught on here. She has been signed to Rough Trade since late last year, but she only found distribution in Canada a few months ago. I think that the reason for this is because her music seems to sneak up on you, as opposed to punching you in the face. When I first heard her, I thought she was fine, but I thought she simply had another Natalie Merchant thing going on, which I've heard a zillion times before. Boy, do I feel stupid now. I find her brand of acoustic chamber pop to be so entirely uplifting that once the CD is finished, I feel like taking in a breath of fresh air and starting it all over again. (That doesn't mean that I hold my breath while I'm listening to her CD. You see, that's how people die.) Her performance made me feel the same way. Her sincerity is delightful, and her smile is warm enough to melt the heart of even the roughest individual. Her songs translated very well to the live stage, and I loved the fact that she would enthusiastically get into whatever song she was singing, regardless of how laid back and mellow the song is supposed to be. If the chill of the winter air gets to be too much for you, then check to see if Basia is playing in your hometown. 'Nuff said.

Photos: Basia Bulat @ Lee's Palace on flickr.
Download: Snakes And Ladders mp3
Myspace: Basia Bulat
Video: Snakes and Ladders live in Brussels on youtube.

When I arrived at Lee's, Bruce Peninsula's set was already in progress. I can't say that I knew too much about them, but I did see some familiar faces on that stage while they were performing. There was Ohbijou's Casey Mecija, who I suppose is a member of this band as well. I also recognized Katie Stelmanis, whom I had seen earlier this year opening for St. Vincent. There was another girl up there that I recognized and it took me a few minutes (of hours) to figure out where from, but then I realized that she worked at the local indie record store. Upon doing further research, her name is Isla Craig, and she has a few musical projects of her own going on. Being relatively new to the city, I still get a bit tickled at the fact that I'm living right in the hub of all things indie and artsy. Everywhere I turn it seems I'm running into another staple of the indie music scene. I'm starting to tangent a bit here, maybe I'll talk about that in another post. Back to the review. Although their music is not even remotely religious, it does have a slight gospel feel to it. This is probably because of the six female choir singing and clapping along with unmitigated enthusiasm. Lead vocalist Neil Haverty uses his bluesy yelp to lead the parade, creating an atmosphere that is stimulating and inspirational. More than all else, their performance really encourages a musical sense of community, that leaves one believing in an old, and perhaps unreasonably optimistic, cliché. That is, that maybe music does have the ability to change the world. OK, cheesy and extreme I guess, but Bruce Peninsula can at least make you feel that way.

Photos: Bruce Peninsula @ Lee's Palace on flickr.
Myspace: Bruce Peninsula
Video: Shanty Song live at The Tranzac on youtube.

The 6ixty 8ights @ The Horseshoe

Last night was one of those nights. I was tired, it was cold, it was rainy, I was still sorta sick but there was no way I was going to miss seeing Amos The Transparent. They've recorded one of my favorite albums of the year and their show was sure to be nothing short of fantastic. However, given my current state I definitely wasn't going to be sticking around for Two Hours Traffic, despite the fact that they also were sure to be a fun time. Just wasn't completely in the concert mood last night, that's all. So, imagine my surprise when I got there to find out that the band setting up was The 6ixty 8ights, NOT the aforementioned Amos. What's going on?

Well, I still don't know exactly what went on, but for some reason the two bands switched time slots, which meant that I had missed seeing Amos The T. I was disappointed. I was cranky. I was quite livid actually. But I was there so I figured I might as well check out these guys who call themselves The 6ixty 8ights. They were actually very good and despite the fact that winning me over was not going to be particularly easy given my present condition, the band came pretty close. Their sound is obviously very steeped in the year 1968, or thereabouts, as they they play delicious pop and roll along the lines of The Kinks and Thrush Hermit. They're already quite popular amidst the local college scene, and their jingle jangle hooks are very easy to digest. Their live show is filled with exuberance and a lot of rock star swagger and, I hope that the next time I see them it will be after I have seen Amos already, and therefore the chip on my shoulder should be filled in nicely with the warm and fuzzy feelings that the 6ixty 8ights deserve.

Photos: The 6ixty 8ights @ The Horseshoe flickr
Myspace: The 6ixty 8ights
Video: Days Like Dreams @ The Silver Dollar youtube

Trey Mills - Athabasca

Wow, I've been listening to a lot of music this week. There's no way to cover all of it but I'll try to post a review or two this week and in the weeks to come because there really is a lot to talk about.The debut by Trey Mills is an incredibly easy album to enjoy. It isn't the type of album that blows your mind or leaves you feeling awestruck by being incredibly prolific. But it doesn't require any time to get used to either. It's simply a beautiful album that has all of the melodies necessary to make you feel warm on a freezing cold day (which seems to be all we get lately!) I find his songs are in the vein of Jackson Browne, Danny Michel or even a little bit of Van Morrison. His vocals are passionately piercing, while he falls comfortably into the singer-songwriter vein, adding a touch of soul to the proceedings as well. Trey has already experienced a lot of success in music, rising to the top of the charts by writing, producing and mixing several top hits by other artists. He now has channeled that experience into crafting some really good songs. The first immediate standout is "Saving Me" which is a romantic song that does not sound as if it were fluffed off in a couple of minutes. On the contrary, it sounds genuine and sincere, and lyrically, it's very introspective and poetic. His voice is also really cool during the title track, which has a real 70's sheen to it, similar to what Josh Rouse has been striving to accomplish as of late. I also enjoy "No Sun, All Rain." I find it impossible to not smile along to the skippy piano sound and Chicago-ish horns that accompany his chirpy vocals. He makes good use of production and instrumentation, but, most importantly, his music will genuinely make you feel good. And sometimes that's more than we can ask for.

Trey Mills will be at Revival in Toronto on December 20th with Zoe Bentley for only $8.

Listen: Saving Me stream
Myspace: Trey Mills
Video: Trey performs "Saving Me" at The Revival in Toronto on youtube.
Purchase: Athabasca in digital or hard copy at several different locations online.

Recommending Some Recommendations

I'm finding it increasingly more impossible to keep up with all the great music that crosses my path these days. Don't get me wrong, I'm up to the challenge of encountering even more. I'm kinda nutty that way. But for me to write about every great band I come across just ain't gonna happen. However, today I'm going to take advantage of the fact that I have a few spare moments and nothing else to blab about to briefly share with you a few artists that have been recently recommended to me. These are three artists that I know relatively little about, but from what I've heard, they're bound to make my cheeks all rosy red with delight!!




Your 33 Black Angels are from New York, New York and they remind me of all of the great bands that boast that ultra cool, laid back New Yorksy sound. You know who I'm talking about and you know that you don't have to necessarily be from New York to sport such a sound. All of the Lou Reed's and Stephen Malkmus's and Thurston Moore's out there who make sounding cool seem painlessly simple. Well, add Your 33 Black Angels to that list. They've been around for a couple of years but earlier this year they released "Lonely Street", and it's receiving some pretty honorable type mentionings from some pretty honorable type people. Rolling Stones' David Fricke, for example, described it as one of this year's treasures. I haven't yet heard the CD, but judging by the songs on their myspace page, it's probably wise for me to get on that. I particularly like "Psycho On Your Side," which is like an upbeat love song from the bizarro world.

Download: Psycho On Your Side mp3
Myspace: Your 33 Black Angels (you can also purchase "Lonely Street" on their myspace page)




While conversing with William Rees of Mystery Jets during their visit to T.O. earlier this year, he told me that I must check out UK's Late Of The Pier. This is a band that may have a more critical case of ADD than I do. If you listen to their song "Bathroom Gurgle" for instance, the song does not run much longer than your typical top 40 tune, except it goes through more changes than a newborn baby's diaper. There is very little online information about these guys but I guess that I would best describe them as equal parts Prince, Gary Numan and Bobby Conn. They're a lot of fun, they're easy to dance to, and they put a smile on my face. What more can I say? Glam rock with its nose to the funkstone.

Download: Space and the Woods mp3
Myspace: Late Of The Pier

Finally, there's Denmark's Death Valley Sleepers. Tobias Winberg is the brains behind this operation, playing all of the instruments himself. What I find really neat is that it sounds like a full fledged band performing these songs, which is a real testament to the talent and attention to detail that Tobias has carefully honed. Not to sound like a broken record, but I'm sure you've all figured out that I can't get enough of the 60's influenced sound. But DVS is quite unique in that to me it sounds like surf music that you'd hear in a Serge Leone film, if Serge Leone were to put surf music in one of his spaghetti western type films. Which would never happen. Thus the word 'unique.'

Download: Sweet End mp3
Myspace: Death Valley Sleepers

Krief w/ Obviously Five Believers and Schomberg Fair @ Rancho Relaxo

There are good guitarists and there are great guitarists. The Dears' Patrick Krief is one of the great ones. He released his solo EP, brilliantly entitled "Take It Or Leave" earlier this year and he's been frequently showcasing it live ever since. On the album, he does it all himself, but on stage he is in full band mode with Roberto Piccioni (keyboards), Andre Bendahan (bass), and George Donoso III (drums). The CD is a very personal affair, that shows that, if anything, The Dears are really his side project, not the other way around, as some may believe. I had heard that his live show is really something to behold, and boy, is that an understatement. Watching him play, transported me back to the days of watching Hendrix or Zappa wail away on the axe. (Of course I've never actually been to one of those shows. C'mon, I'm not THAT old!) You can however, and should, add Patrick Krief to the list of heavily underrated guitarists like Jay Farrar or J. Mascis, because his playing goes far beyond the sonic noodling of some of the other so-called greats. When he solos, his playing is filled with precision and discretion. In other words, they do not simply come off sounding like a solo simply for the sake of soloing. Every solo feels like a composition within itself, and that is incredibly impressive to witness onstage.

Patrick Krief has two dates at The Rivoli in Toronto on December 7th and 8th.

Photos: Krief live at Rancho Relaxo flickr
Download: Worries Are Over mp3
Myspace: Krief
Video: For a sampling of what this guy is capable of, watch this. Holy Mackinaw!
Purchase: Take It Or Leave here.

I don't want to start any rumors, but I'm pretty sure that the guys in Schomberg Fair may have shot a man in Reno, and if they did, it was simply just to watch him die. If you recognize that reference, than going to see Schomberg Fair should definitely be put on your to-do list. With the spirit and attitude of a young Johnny Cash, these guys ripped through a set of hard livin' and thrashy country punk that smacks with even a slight hint of rockabilly. Their sound is classic rock 'n raunch, and you would be hard-pressed not to become a country convert after hearing them play. I really appreciate the dynamic between lead vocalist Matt Bahen's raspy throat aerobics and bassist Nathan Sidon's deep 'close your eyes and you swear it's Johnny Cash himself' baritone. Add to that Jake Stewart's 'anything but subtle' skin pounding, and you've got yourself a true genuine roots rock sensation.

Schomberg Fair have several dates in the near future but their Toronto appearances are at Tiger Bar on November 8th and The Horseshoe on December 29th.

Photos: Schomberg Fair @ Rancho Relaxo flickr
Download: John The Revelator mp3 / Some Things Never Change mp3
Myspace: Schomberg Fair

I've mentioned before my weakness for all things 60's. Obviously Five Believers are one of my new weaknesses. Their love for the psychedelic sixties is apparent in that their sound does not simply pay homage, but it actually sounds like we may have transported back to that era while listening to them. They opened the night off with a very enthusiastic set, that got the crowd enveloped in a frenzied shake-fest. I could probably compare them to a hundred different bands, but you likely already know the sound that I'm talking about. Basically I think that they would have made a splash on Ed Sullivan, before getting kicked off for not giving in to Eddy's standards. They're the type of band that I would imagine always puts on a great show and I'd love to see them play a place like The Mod Club next time, since I really feel that their music would be ideal in that setting.

Obviously Five Believers will be performing at Mitzi's Sister in Toronto on November 15th.

Photos: Obviously Five Believers @ Rancho Relaxo flickr
Download: Darling Of The Underground mp3 / Song For When We Die mp3
Myspace: Obviously Five Believers
You can purchase their CD on their myspace page as well, or simply e-mail them if you live in the city at obviously.five.believers@gmail.com

Amos The Transparent - Everything I've Forgotten To Forget

"Everything I've Forgotten To Forget" is probably one of the best kept secrets of the year in Canadian indie rock. The album is by Amos The Transparent, who is actually Jonathan Chandler and Christopher Wilson from Ottawa. The music is smooth, versatile and intricate, with several layers of personality revealing itself in every track. I don't know how this CD has avoided being more of a buzz album, since it incorporates the help of a few notable guests. A quick skim of the liner notes revealed that Evan Cranley of Stars and BSS appears on the title track. That song is extremely powerful, opening with some very slight percussion before Jonathan's vocals come in, reminding me a little bit of Adam Gardner from Guster. The vocal breakdown at 2:42 is incredibly effective as it slowly builds to grand magnificence for the last minute of the song, which is a powerhouse assault of drums and horns. Another noteworthy guest comes in the form of the angelic vocals of Amy Milan on the delicately titled "After All That, It's Come To This." Amy herself jumped on board after hearing the guys perform an acapella version of the tune. That makes sense because the song is compelling in every way. From the searing vocals to its orchestral climax, this is easily one of the best songs of the year.

That doesn't mean though, that the impressive guest stars are merely a gimmick to mask an otherwise mediocre release. Far from it. The other tracks are just as good. For example, "Hard Times, Simply Come By" has an easy listening 70's Neil Young vibe to it, with just a hint of twang. "OK OK Fine Okay" is an incredibly deceptive song. The majority of the cut is a mellow, folksy ballad. Then, out of nowhere, comes some masked percussion accompanied by some mildly maniacal singing followed by electric guitars and feedback, completely altering the direction of what was an otherwise straight-ahead pop country rock song. The song segues into "The Stale Scent Of Old Beer" which can only be described as another Canadian collective epic. Do you ever get tired of those? Yah, me neither. And I can't imagine that I'll be getting tired of this album anytime soon.

Photo by Tom Svilans.

Amos The Transparent are going to be at The Legendary Horseshoe on November 8th with Two Hours Traffic. It's a must-see!

Download: After All That, It's Come To This mp3
Myspace: Amos The Transparent
Purchase: Everything I've Forgotten To Forget at mymusic.com
Video: Interview with Jonathan and Chistopher on Rogers TV youtube

Jetplanes of Abraham

The Canadian orchestral music collective type band is becoming such an overwhelming indie fad these days, that the appearance of another one may not be super exciting to some people. But seriously, does the idea of more bands like Arcade Fire or Broken Social Scene really sound like a bad thing? The fact is, that every time I get wind of another band from Canada boasting more than 5 members, playing enthusiastic indie rock that employs as many instruments as a band can squeeze onto a single disc, I start to salivate more than just a little bit.

Jetplanes of Abraham are just such a band, hailing from Ottawa, Ontario. Their self titled debut is beyond outstanding. Containing an exciting amount of infectious pop hooks and sporting instruments as wide and varied as violin, xylophone and the usual bass, guitar, keyboards and drums, these guys and gals fit in very well with the aforementioned bands. The vocals will paralyze you, (but in a good way) and there are so many excellent sing along and clap along moments that it is sure to bring out your inner indie rock child. Some of the highlights for me are "Four Part Harmony" which sounds like it's actually boasting more of a billion part harmony; "Take The Cash" which works with the "start slow and build" formula, which for me is always money; and the brilliantly titled "Complications, Fascinations and Quitting Your Job" which is like the delicious stew of the mix, incorporating many different moods and flavors and smooshing it altogether into one epic song.

The buzz on their live show however is rapidly growing. From what I've read, the band is having a ton 'o fun onstage, running from one end of the stage to the other to set up for several instrument changes throughout the course of their set. Sounds like my kind of show! The beauty thing is that attending one of their shows will be significantly kinder on your pocketbook than those other bands ... for now anyways. Sadly, I'm out of town for their next T-dot appearance, but I guarantee that this one is a must see for those who enjoy the live rock 'n roll as much as I do.

Jetplanes of Abraham are playing at Sneaky Dee's on the corner of College and Bathurst on October 6th.

Photo by Bonnie Findlay

Listen: The entire album can be streamed here.
Download: Tunnels/ Terminals mp3
Myspace: Jetplanes Of Abraham
Videos: For Now (live at the National Gallery of Canada) youtube
Not Tonight (live in Ottawa: CD release party) youtube
Purchase: Jetplanes of Abraham at their online store

Okkervil River w/Damien Jurado @ Lee's Palace

Yay for bands like Okkervil River. I've seen many highly energetic youthful bands this year (including Mystery Jets just the night before,) and although there's something to be said about the contagious zeal they portray, nothing quite compares to the talent and showmanship of a seasoned band like Okkervil.

Will Sheff joked about losing momentum early when he wasn't sure whether or not his guitar was in tune, but the thrill of hearing an opener like "Plus Ones" surely more than makes up for any technical glitches that may appear along the way. An album like "The Stage Names" is tailor-made for the live stage, and the band rocked their way through those songs with style and charisma. And "John Allyn Smith Sails" sounded just as epic live as I suspected it would. Speaking of epic, it was however, the songs they played from "Black Sheep Boy" and older releases that sounded really impressive. "So Come Back, I Am Waiting (Black Sheep Boy II)" was one of those performances that had me checking if I still had a pulse when it was finished. I just stood there mesmerized at the brilliance of that song, and I'm glad that I finally got to hear it live. During the encore, Will gave us a comical anecdote concerning typical band vehicle troubles, and how their rented van could not hold all of their instruments so they had to leave the accordion behind. The accordion they used during "Okkervil River Song" was rented at a shop nearby, and judging by the wrapping, the band assumed that this was the maiden voyage of that accordion. It sounded sweet.

Photos: Okkervil River @ Lee's Palace flickr
Download: Our Life Is Not A Movie Or Maybe mp3
Myspace: Okkervil River
Videos: Our Life Is Not A Movie Or Maybe youtube / For Real youtube

Seattle's Damien Jurado opened the show, and did an admirable job but boy, did I feel sorry for him. Sometimes Toronto audiences can be very disrespectful, and Damien spent most of his performance battling against their endless chattering and mindless heckles. I suppose this just wasn't the right crowd for his style of laid back but beautiful indie folk rock. However, even during Okkervil River's performance, Will had to tell the audience to 'shush' at one point, and made it clear that the song was not going to continue until they do. And for the first time in history it worked! As far as Damien goes, his last Toronto experience resulted in him having his van broken into, so I doubt that this time around he'll be leaving with a better taste in his mouth. It would be nice to see him perhaps under different circumstances next time. Full marks for soldiering forth anyways, keeping as positive attitude as possible, communicating with the ones who were appreciative and putting on a very decent show.

Photos: Damien Jurado @ Lee's Palace flickr
Downloads: What Were The Chances mp3
Myspace: Damien Jurado
Videos: Lion Tamer youtube

Mystery Jets @ The El Mocambo

It's been a long time coming, but The Mystery Jets had finally graced our grimy Toronto stages last night over at the El Mocambo on Spadina. The show was outstanding beyond words, but I'm going to do my best to put it into words. To start off with, the guys were clearly ecstatic about being here in Toronto, and that youthful enthusiasm translated well onto the stage. Their set was a fine mix of both the old and the new. In speaking with the guys, they were a little bit leery about introducing too many new songs to their North American audience, but they need not have worried so. What the crowd lacked in volume, was made up for in appreciative exuberance, as the new material was greeted with great enthusiasm. I was particularly enthralled with the talent displayed by lead vocalist Blaine Harrison. The way he switched off from instrument to instrument, sometimes within the course of the same song, was truly impressive. The band has a true love of music, both classic and current, and I must admit that I enjoyed talking about music with lead guitarist William Rees before the show, as much as I enjoyed listening to them display that love throughout their performance. (Playing foosball with the man is another story altogether. He's real good. Too good in fact. I'm suspicious.) He even recommended to me a great band called Late Of The Pier. More on that in a future post.

One minor disappointment is the fact that Henry, while still a very active member of the band, no longer joins them on live performances. However, his influence is still very much present in the band's slight lean towards all things prog, from the instrumental blast that opened the show, to the powerful rendering of "Alas Agnes" at the end of the night. I'm not sure what the future holds for the band and their relationship with Canada. This may be the last time we see them here. Or, perhaps their return will be marked with greater interest and larger venues. Either way, it was truly inspiring to see them play this time around. Well worth the wait.

Photos: The Mystery Jets at El Mocambo flickr

Videos: You Can't Fool Me Dennis youtube
Alas Agnes youtube
The Boy Who Ran Away youtube

Myspace: Mystery Jets

Numbers & Figures, Fox Jaws & Entire Cities @ Rancho Relaxo

Two-Way Monologues hosted, what I would refer to, as possibly the best bill I've seen all year in terms of local area talent. Three highly above average bands all joined forces for a show that could be described as nothing short of spectacular.

As the crowds slowly started crawling in, Numbers and Figures opened the show with an explosive set of indie-rock exuberance. These guys take me back to some of the indie bands I used to really enjoy when I first started obsessively trying to discover indie bands. They have such a wide-eyed enthusiasm for what they're doing that one can't help but be impressed with their performance. The music is raw and articulate, and the crowd had no problem chanting and clapping to the refrain "I am not scared of growing old, I am not scared of dying!" As for me, I'm already growing old and if I were to die listening to the chronically catchy sounds of Numbers and Figures, that'd be totally cool with me. (Wow, could that have been cornier!)

Pics: Numbers and Figures @ Rancho Relaxo flickr
Myspace: Numbers and Figures
Video: I Am Not Afraid Of The Monsters Living Under My Bed (live at Lions Hall) youtube
Purchase: The Parable Of The Broken Window at The Meadows Collective online store

And the award for best semi-local live act I've seen this year goes to .... Fox Jaws from Barrie, Ontario. The buzz surrounding this band has been phenomenal and their debut CD "Goodbye Doris" (as in Doris Day, as in their previous band name, as in "Hello Lawsuit") has also been receiving rave reviews all across the board. Their live show is stellar, and even at a smaller venue like Rancho Relaxo, they performed as if they were auditioning to be the greatest band in the world ever! Lead vocalist Carleigh Aikins has such an atomic presence onstage that it caused my adrenalin to rush just watching her and by the time the show was done I had felt like I just ran a marathon (but in a good way.) I remember the euphoric feeling I felt the first time I saw Broken Social Scene on Toronto Island about three or four years ago, and I'm pretty sure that the Fox Jaws have the potential to evoke the same feelings in a similar setting. I look forward to following their activity even more closely than I already have been, as they slowly become one of my favourite bands in the indie scene today.

Pics: Fox Jaws @ Rancho Relaxo flickr
Download: Karmonica mp3 / Quarantine Girl mp3
Myspace: Fox Jaws
Video: Warm Winter Coats (live at Mod Club) youtube
Purchase: Goodbye Doris at their online store

Entire Cities are the craziest thing I've ever seen. That's not a criticism however, just a comment. They were so completely scattered and insane, yet compelling and way more fun than a small group of elitist indie snobs could ever admit to enjoying. Boasting a band lineup that is only slightly smaller than an actual entire city, I think they've had a few member changes recently, because there were people on that stage that I didn't see in any of their press photos. But they were simply having a random old time on stage, whether it be toilet papering the flute player or spontaneously shout-reciting the titles of every Rush album from 1974 to 1981. Their music alternated from the slightly twangy to school time singalong to psychedelic reverb to being nice and pretty. Entire Cities got it all, and their show is perfect for those who strive to see something completely different. They were an excellent choice to cap off the evening and I feel privileged to have been introduced to the TWM showcase. I'll certainly be attending them on a regular basis whenever possible. (I hear there are some pretty impressive artists on the next bill. Wanna know who? No, I can't....)

Pics: Entire Cities @ Rancho Relaxo flickr
Download: Dancing With My Brother mp3 / Coffee mp3
Myspace: Entire Cities

Proud Simon - Shoestring Universe

NYC is not a city that is usually synonymous with the indie-folk Americana sound, (other than Ryan Adams' famous reference to such,) but Brian Keenan's little band Proud Simon is definitely a superb choice of an album that is steeped in that style. However to pigeonhole "Shoestring Universe" as another roots rock album would be serving it a grave injustice. The album contains many excellent indie pop hooks, as well as a sweet serving of variety that makes it rise well above the norm. The opening track "Burning Bridges" is introduced with a simple banjo plucking away while a typewriter click-clacks in the background, letting us know early that this release is as much about the lyrics as it is about the music. Brian has a dynamic way with words that I'd imagine will only get more intriguing with each subsequent release. Musically, the album is also quite varied, as is showcased in "American Caskets," which begins mildly with a little Wurlitzer accordion before lunging into a slightly Smiths-y bass line, as Brian's voice sounds a bit like Colin Meloy striving to impersonate Blue Rodeo's Jim Cuddy. My favorite song is "Tributaries," which clocks in at 6:07; and what a journey it takes you on to get there. In many ways it's like three songs, three songs, three songs in one, and if you're a fan of the in-song tempo change (and really, who isn't these days?) then this is the one for you. The vocals don't come in till 3:21, and at that point the song has already built up to a high point that many songs never reach. "Shoestring..." was released just about a year ago, but a second album is already near completion and now that Brian has a regular band lineup, I'd expect the album to be even more focused and interesting. That's something to look forward to, considering the fact that this one is already a very solid release.

Download:
Tributaries mp3

Myspace:
Proud Simon

Purchase:
CD Baby
iTunes

Los Campesinos! - Sticking Fingers Into Sockets

At this point, Los Campesinos! are pretty much guaranteed to be successful, indie-wise that is! They've used myspace for pretty much the only thing that the irritating social networking site it good for, mainly exposing your music to as many people as possible. That's the very reason why I'm so late joining the Campesino camp. Myspace, although I use it, isn't actually my thing. I've been exposed to a lot of mediocrity on that site. However, Los Campesinos are very deserving of their exposure, and apparently, it's working, since the Cardiff-based band has actually been signed here in Canada to the ultra-hip indie label Arts & Crafts, which is home, of course, to BSS, Feist, Young Galaxy and Stars (to name a few.) They play that highly invigorating style of "music is a celebration of life" that gets the indie kids' heads bobbing nearly to the point of body detachment. The EP "Sticking Fingers Into Sockets" is a 16 minute blast that leaves you wanting more and quickly. It lunges right into things with "We Throw Parties, You Throw Knives" an instantly likable song, with a thick male British accent being accompanied by female vocals to create an excellent pop party song. Their sense of humor is also immediately accessible as Gareth sings, "It's your party and I'll die if I want to!" "It Started With A Mixx" sings of "trying to find the perfect match between pretentious and pop," which the band successfully does. And the myspace hit "You! Me! Dancing!" is one of the best songs of the year, sounding like Broken Social Scene meets Loney, Dear, Yo La Tengo and Architecture In Helsinki. It's true they're not the most original band I've heard this year but who cares when the music is this good.

Downloads:
Don't Tell Me To Do The Math(s) mp3
We Throw Parties, You Throw Knives mp3
Myspace:
Los Campesinos!
Videos:
We Throw Parties, You Throw Knives youtube
You! Me! Dancing! youtube

Mystery Jets coming to Toronto!!!

Fact: The Mystery Jets are one of the best and most original bands in the world today. Fact: They are still vastly underrated here in Canada and, sadly, throughout most of the planet. Fact: They're coming to Toronto on September 20th to play the El Mocambo. Fact: Tix are only $13.50. Fact: You should make a valiant effort to be there.

The Mystery Jets were one of the very first artists I had ever blogged about and the reason why is because of how much I thoroughly enjoy their contributions to indie rock today. Their lyrics are witty and original and their music is all over the place while still remaining cohesive throughout. First of all, the band dynamic is something that you don't see everyday. Lead vocalist Blaine Harrison is in the unique position of having his father Henry play lead guitar in the band. This enables the band to be rather timeless in terms of the music they play, simply by being influenced from several different generations. Their music ranges from new wave and brit-pop to classic prog and psychedelic influences as well. This will be the United Kingdomers first time in Canada (they were supposed to be here earlier but it fell through due to a Visa situation,) so it would be beyond sweet if they enjoyed their stay so much that it encouraged them to return again soon. Sample their music below and make sure you come out to see them on September 20th.

Videos:
You Can't Fool Me Dennis youtube
Alas Agnes youtube
The Boy Who Ran Away youtube

Myspace:
The Mystery Jets

Nicole Wills And The Soul Investigators - Keep Reachin' Up

Really good soul music is incredibly difficult to find these days. At least I think it is. MTV will try to convince you that they include soul, R&B or funk music on their playlist but true authentic soul music needs to come from the heart and, for the most part, the heart of the music that passes for soul these days has way too much sheen, over production and fake instruments for me to really believe it. But when it comes to true soul, Nicole Willis has GOT it! Nicole has been playing music for several years, while being involved with bands like Dee-lite, The Brand New Heavies and The Flextones. On this release, she's collaborating with Finnish funk collective The Soul Investigators to give us the most soulful album I've heard since The Commitments soundtrack over 15 years ago. Taking a cue from some of the great Motown records of the 60's and 70's, Nicole exudes a confidence that reminds me of all of the greats. You've got some Gloria Gaynor with "Feeling Free," more classic Motown with "If This Ain't Love (Don't Know What Is)," some James Brown-like funkiness with the title track, Supremes-style smoothness with the catchy "My Four Leaf Clover" and I'm thinking some Otis with "A Perfect Kind Of Love." My musical A.D.D. causes me to jump around from artist to artist quite frequently, but to fill all my soulful needs, I imagine this is the one album I'll be frequently returning to for the next few years. Unless someone else takes a cue from Nicole Willis and brings soul back to its roots. Which would suit me just fine.

Download: If This Ain't Love (Don't Know What Is) mp3
Myspace: Nicole Willis And The Soul Investigators
Video: If This Ain't Love, Don't Know What Is youtube
Purchase: Keep Reachin' Out on Amazon.ca
Photo of Nicole Willis by Jimi Tenor

Coyote Bones: Gentleman On The Rocks

"Gentleman On The Rocks" by Omaha, Nebraska's Coyote Bones is a very impressive record, both in terms of skill and variety. They've enlisted the help of a large number of impressive names in the world of indie rock, including members of Azure Ray, Bright Eyes, Tilly and the Wall, The Faint and Now It's Overhead. This variety in contributors is evident in the sweet miscellany contained in the various compositions throughout this release. The album opens with "Expire In Style," a Steve Earle-like stab at alt-country, complete with mouth organ and barking dog. Most artists would use the opening track to set the pace for the entire album, but this album is beautiful in its refusal to commit to any specific pace. "Lightweights Drinking" is a driving progressive thump, "Grand Eclipse" dives head first into a shoegazey wading pool and "39 Forever" is a straight forward pop song that wouldn't feel out of place on your typical Counting Crows record. Those are only the first four songs, but they demonstrate the rule that the band chooses to follow, that is, the rule that there ain't no rules. Although there are a couple of less impressive moments, overall the album contains a little something for everyone. A couple more standouts for me are "Don't Lose Your Cool," a slight throwback to the early days of emo and bands like The Get Up Kids or The Promise Ring, and album closer "Your War," which is easily the heaviest and most frenzied track on the album. The scattered pacing of this album also bodes well for their next release, because the chances that Coyote Bones will repeat themselves is basically unthinkable. There are too many different styles being showcased here that the question is posed: which style will they repeat? It'll be interesting to see.

Downloads:
Grand Eclipse mp3
39 Forever mp3

Myspace: Coyote Bones

Purchase: "Gentleman On The Rocks" at the CoCoArt store.