featuring The Elwins, The Black Swan Effect, We Are The Take, Make Your Exit and Sandman Viper Command
My usual late start Thursdays meant that I wouldn't be hitting my first show until 10pm, and since I was determined to make life easier on myself, I decided that I would rotate throughout the College and Spadina corridor. My first stop of the evening was just shy of that, at the Bathurst corner at Sneaky Dee's for the basic pop rock sounds of The Elwins.
Sneaks was still pretty empty when I arrived there at 10:02 and the band was already partway through what I'd imagine was still their first song. They play a style of non-threatening, clean cut 60's inspired pop music that is pretty easy to admire, even if it's perhaps not anything that we haven't heard before. Borrowing from all of the usual suspects, lead vocalist Matthew Sweeney augments his
Ray Davies-like snarl with a
Peter Noone-ish innocence that laces their tunes with some jangly fun, the likes of which I haven't heard since the (very) early days of
The Meligrove Band (circa 2000, the
Ductape Years, when the band was a little more sugar and a little less vinegar.) Keeping it simple didn't mean that the band couldn't bring the rock however, and the last couple of songs in particular showcased some power chord laden guitar work that was as addictive as it gets. Really good stuff!
Myspace: The Elwins
Photos: My pictures of The Elwins @ Sneaky Dee's are on
flickr
From there I walked down to Kensington Market and into
The Supermarket to see a U.K. band known as
The Black Swan Effect. Admittedly my reasons for wanting to check them out were partially selfish in the sense that I was feeling relatively anti-social and wanted to go somewhere with little buzz where I can just chill out with my own company. The empty floor space at Supermarket was just perfect for the mood I was in, as I settled in the corner with a beer, waiting for the band to hit the stage. When you think about it, it's actually rather ironic that the BSE were not one of the highly buzzed about bands of the fest. First of all, they're signed to
Peter Gabriel's
Real World Records, having recently opened for him on a few shows. Also, their bass player is a cat named Jesse Wood, and his father is none other than
Ronnie Wood of
The Rolling Stones. Those are a couple of big names to be associated with, but the small crowd was evidence that having a big name behind you ain't what it used to be, and personally I think it's great. Mostly though, I was there because the sounds that I heard on their myspace sounded pretty good, and I was eager to hear how it sounded on the live stage. Answer? Pretty dang good. For obvious reasons, there were plenty of classic rock influences circulating through their sound, including some intricate guitar solos and heavy drums and bass, with songs like
Please sounding like the aforementioned Stones circa
Exile On Main Street. The best songs were the more ambitious numbers, such as a song called
Sick, which wouldn't be out of place on
The Bends and
Rat In A Cage which also owes its sound to early
Radiohead, but is done so convincingly enough to not come across as another copycat band.
Myspace: The Black Swan Effect
Photos: My pictures of The Black Swan Effect @ The Supermarket are on
flickr.
It was at this point that my evening of solitude was about to be cut short as the room was quickly being filled by tons of young girls, making me wonder if perhaps
The Jonas Brothers were scheduled to appear next and I had been rashly misinformed. As I scanned the exit areas just in case, it turns out that my original sources were correct, and I was simply unaware of the fact that the ladies clearly dig the sounds of
We Are The Take with an enthusiasm that is obviously not as limited to the haze of an MTV frosh week as I had once assumed. When they took the stage it was easy to see why. Boyish good looks, charming personalities and the ability to woo an audience were all apparent, and this was all before they even played a note. Still it's the music that counts and I'm glad to say that they clearly know what they're doing musically, as they played a tight set that was a sweet mix of upbeat sheeny shiny rock tunes, and a few piano laden pop numbers. It was obvious that the band has been playing together for awhile now, as their professionalism was probably the biggest selling point to most, as there was not a note out of place and their chemistry was infallible. That sheen was probably both their strength and their weakness. While it made it impossible to criticize their abilities, the lack of rough edges sacrificed a little bit of that rock 'n roll rawness that would have brought their show to a more memorable level for me. Still, a good time was had by all, myself included, and I'm glad that after an innumerable amount of failed attempts I finally got to see this band that I'd heard so much about.
Myspace: We Are The Take
Photos: My pics of We Are The Take @ The Supermarket are on
flickr
From there I had originally planned on heading to
The Silver Dollar to see
The Ghost is Dancing, but ultimately opted to check out the
El Mocambo instead to see
Make Your Exit. Originally, I wanted to stick mostly to artists that I had never seen before, but I made an exception in this case by using justificatory reasoning. Although I had seen MYE in the past, I still had yet to see the latest incarnation of the band, that is, the one featuring my personally chosen
Rock Star of the Year for 2008, Robbie Butcher, who had recently joined the band on drums. I was curious to see what chemistry would ensue within the group, since the band has always been more of a subdued force onstage, whereas Robbie's work in bands like
Tin Bangs has always been a little bit more over the top. Interestingly, the pairing seemed to work very well, as the band's larger than life sound seemed to gel nicely with Butcher's over the top persona. However, his presence, strong as it was, was only one factor contributing to the band's overall greatness. When I saw them back in May 2009, it was obvious that they had plenty of potential, boasting a post-rock sound that was full of intricate spaces and precious atmospheres, yet there was still plenty of room for growth. Upon seeing them this time, it was obvious that grow they did, as their sound was so large that the El Mo could hardly contain it. Placing greater emphasis on musicianship and orchestral sweeps than on anything else, the band has carved itself out an interesting niche that will only grow as they continue to work together in the months ahead. When a large sound is what you're shooting for, well the sky's the limit, as they say.
Myspace: Make Your Exit
Photos: My pictures of Make Your Exit @ El Mocambo are on
flickr.
By this time I was the most tired I'd ever been in my life, and under other circumstances I would have just gone home, but Burlington's
Sandman Viper Command was up next, and I really like their CD
Everybody See This, and I was already there so I forced myself to stick around, at least for a couple of songs. The band specializes in some pretty catchy power pop tunes that are still a bit juvenile in their execution, but show plenty of potential for future releases. One thing that the album does showcase perfectly is a sense of overall fun that should, in theory, translate nicely to a live stage. And in this case, that's exactly what they did. As expected, I was only there to witness the first three songs, but their energy was boundless, which suited their upbeat tunes nicely, and undoubtedly contributed to the audience's second wind. They put on one of the most enjoyable live shows of the whole festival, and I can only imagine that they'll continue to get even better as time goes on. If there was one minor concern, I'd have to say that, having lived in Burlington for 8 years myself, the band doesn't do much to distinguish themselves from many of the other young bands to come out of that area, at least as of five years ago, when I was more in tune with the Burlington music scene. The band needs to find some way to stand out from the crowd, yet from what I witnessed that night, they've certainly got the talent to do so.
Myspace: Sandman Viper Command
Photos: My pics of Sandman Viper Command @ El Mocambo are on
flickr.
Labels: black swan effect, canadian music fest, concert review, make your exit, sandman viper command, the elwins, we are the take
