2009: The Songs

As far as my favorite songs go, this seems to be the year for the grand epic. I don't know what it is, but the longer progressive numbers were the ones that seemed to have the biggest impact on me, which you'll notice as you start perusing through the following list. On top of that, if you want to get technical, the entire Decemberists album is basically arranged as one lengthy 55 minute song and should actually be my number one song of the year, but that would just be a little too redundant, what with it already sitting atop my Top Albums of '09 list. So, having said that, here is my annual list of the songs that have warranted necessary use of the repeat button on my iPod throughout the year. As per usual, the tunes are not listed in any particular order, since basically all of these songs are tied for first place, in the sense that I listened to them all with great repetition.

Bay Of Pigs by Destroyer (from Bay of Pigs EP)

At 13 minutes in length, this one is a moody little number that is as epic sounding as the plans for the attempted 1961 Cuban invasion upon which the title of the tune is based most likely was at the time, although unlike that CIA trained endeavor, the song is actually quite successful. Beginning as an ambient mix of controlled synths and opportunities for Bejar to share confounding lyrics such as "Magnolia's a girl. Her heart's made of wood. As apocalypses go, that's pretty good. Sha-la-la, wouldn't you say?" the song shifts partway through into an upbeat disco thump before culminating in two minutes of white noise that is nothing short of mesmerizing.

Stream: Bay of Pigs at Stereogum

And The Glitter Is Gone by Yo La Tengo (from Popular Songs)

Although by and large the latest release by everyone's favourite Hobokeners has them sounding more poppy than ever before, it's the album's closing 16 minute instrumental psychedelic rocker that had me begging for more. Though many might disagree, YLT are at their best when they just let loose on their improvisational selves.

Video: And The Glitter Is Gone Pt 1 on youtube
Video: And The Glitter Is Gone Pt 2 on youtube

Siren Song by Bat For Lashes (from Two Suns)

Natasha Khan's voice pierces right through me on this hauntingly beautiful number. I know that comparing her to Kate Bush is a little bit redundant at this point (of course, so is using the word 'redundant' twice in the same article) but the fact that the song would not be out of place on Bush's The Dreaming is part of its wonderful appeal for me.

Video: Siren Song (live at Morning Become Eclectic) on youtube

Lemons (aka Big Fish Little Pond) by Amos The Transparent
(from My What Big Teeth You Have)

Skilled songwriting matched with a simple yet unforgettable melody makes this song an infectious slice of perfection as Jonathan Chandler and company prove that even amidst a year of grand orchestral experimentation, there is a lot to be said for the charms of a subtle, acoustic pop song.

Download: Lemons (aka Big Fish Little Pond) mp3
Video: Lemons (aka Big Fish, Little Pond) on youtube

Little Secrets by Passion Pit (from Manners)

Overall, this has been a moderately successful year for me as far as listening to dancier music goes, with bands like Green Go, Handsome Furs, Friendly Fires and Woodhands receiving at least some minimal iPod airplay from me, although getting through an entire album in one sitting by any of those artists is a bit of a tall order for my anti-disco soul. Still, there was one number that achieved 'press, play, repeat' status for me, and it was this retrofied number by the Massachusetts five piece. The songs Sleepyhead and The Reeling may have received a little bit more blogger love but trust me, Little Secrets is by far the standout.

Video: Little Secrets (live on KCRW) on youtube

Doom by Hut (from Hut EP)

There are some songs that lend themselves to pristine production by nature of their incredible hooks and infectious melodies. However, when that's been done a million times before already then there's something refreshing about hearing that dynamic within the confines of a rough and delightfully real, lo-fi sound. Daniel Lee (of Hooded Fang) has coined a masterpiece with this song, and I hope that when he makes it rich in the future, he chooses to keep this song just the way it is, because it's the roughness that gives this song its charm.

Download: Doom mp3

It's Not Your Birthday Anymore by Morrissey (from Years of Refusal)

I figured that the days of Morrissey sitting in a personal year end list was gone forever, but lo and behold, here he is with a song that ranks among some of the best work of his entire career. This song is classic Moz, with that tongue in cheek misanthropic lyricism in full force and a chorus that is as large as it gets. A twisted anthem for sure, and the type of song that wannabe bombasts (like Snow Patrol) could only dream of penning.

Video: It's Not Your Birthday Anymore on youtube
(It's basically just the song streaming over a still of a half eaten piece of cake, but that's the only place where I could find the song streaming)

Synastry / New Beginning by Dog Day (from Elder Schoolhouse EP)

You knew that the combination of Halifax shoegazers Dog Day and prolific studio mastermind Rick White was going to be pretty spectacular, and the limited edition Elder Schoolhouse EP (vinyl only, and only 400 copies made) has produced the band's most expansive material so far. It may be cheating a bit to include all of side 2 as one song, but these two tracks should never be pulled apart for any reason whatsoever. The second part is a massive wall of psychedelic feedback that'll have you seeing double. I can only provide an mp3 of the first part of the song, but you really need to track down the whole thing for the full impact.

Download: Synastry mp3

Venus Rising by Blue Rodeo (from The Things We Left Behind)

Like the aforementioned Morrissey, I was pretty sure that the days of including Blue Rodeo on best of the year lists were long behind us, but the Keelor / Cuddy combo have proven that they still have the chops to pull it off when they want to. The new album still contains quite a bit of filler, but there is enough gold on it to make it their best album since Five Days In July, and this may be their best song since Diamond Mine. An epic slowburner with some blistering guitar work.

Stream: Venus Rising on youtube

Cat Tail Legs by Megan Hamilton
(from See Your Midnight Breath In The Shipyard)

The award for best vocal performance of the year goes to Megan Hamilton for the incendiary throat shred that she pulls of throughout the course of this barn busting number. Everything about this track is straightforward and immediate and although she pulls off abstract just fine at other points on the CD, this quality rocker gets the job done with perfection.

Download: Cat Tail Legs mp3

Honorable Mentions:
Drunkard's Prayer by The Schomberg Fair
Black Bull Nova by Wilco
I Can't Be Normal by Shelby Lamb
Grew Up On The Seeds by The Hoa Hoa's
Saturna by Son Volt
Love's On The Run by The Space Between Things
Come Saturday by The Pains of Being Pure At Heart
Dené Sled by Pick A Piper
Tightrope by Yeasayer
Faults by The Paint Movement

2009: The Albums

Well, I'm happy to say that 2009 was a significantly better year for me that 2008 was. Although I managed to say away from really bad news for the most part, I did have to step up my work schedule quite a bit for mildly unfortunate reasons, which meant that the opportunities to take part in this here blogging hobby of mine had to suffer, just a little bit. Whenever I did find a moment to post something, there was usually a belated show review that I had to get to, which meant that I didn't get a chance to review as many albums as I have in previous years. This didn't mean that I avoided listening to music every chance I could though, and there have been some pretty impressive things released over the course of the year.

Looking over some of the other lists that have already emerged made me realize that there is a lot of stuff that I just haven't gotten around to listening to yet, but surprisingly, this is the first year that I remember being mostly OK with that. I am quite happy with the albums that made my list, and the fact that I still haven't gotten around to listening to heavy hitters like Fever Ray, Little Boots and even the mighty Neko Case's current releases and it isn't keeping me awake at night the way that these things used to, is making me surprisingly proud of my newfound maturity. I'm growing up kids; I'm growing up. And here's the list:

1. The Decemberists - The Hazards of Love (Review)

So if you've been following the blog at all, then you've already seen me gush about this album before, and you've already seen its unusually high position on my 'best of the decade' list and you already knew that this was going to be number one. So, let's move on... (Myspace)

Video: The Rake Song on youtube

2. The Pains Of Being Pure At Heart - The Pains Of Being Pure At Heart

I realize that this is a recent album, but man does it take me back. Every party that I went to between 1989 and 1992 was jammed with this style of melancholy shoegaze-y pop music, and TPOBPAH and I must've been attending the same parties because they've got the sound nailed, and I gotta say that I love them for it. (Myspace)

Download: Everything With You mp3

3. The Paint Movement - Our Eurythmy (Review)

My vote for local release of the year goes to this unassuming group of intense brass rockers who've nailed a sound that I've been waiting approximately 30 years for. That's right, I've been longing for their sound since I was about 6 years old. If you don't believe me, ask my parents! I've looked around and although you could compare them to Broken Social Scene and the like, their lush sounding, jazz tinged indie vibe stands alone and I honestly don't hear anyone else that sounds like them right now. Anywhere. (Myspace)

Download: Knock Knock mp3

4. The xx - XX

By george, I think that The xx have finally got it. Several bands have been trying over the past few years to master the art of creating an unforced Ian Curtis inspired drone and while a few have come close (see Interpol, Editors, etc) others have simply come across as contrived. But The xx have done it! The album is flawless from start to finish, and the fact that it sounds so effortless fills me with the hope that these guys may just have a natural knack for all things droneful and shoegazelike, and if that's the case, the rest of their output will continue to be equally as mindblowing. Here's hoping! (Myspace)

Download: Basic Space mp3

5. Bat For Lashes - Two Suns

I know people that love Bat For Lashes and I know people that hate them. Although I can't really speak for the under 30 crowd, the thirtysomethings among us who find themselves missing the glory years of Kate Bush, have probably latched onto this album with both hands because it captures that sound perfectly. I absolutely loved Kate, so it was a no brainer that this album would speak to me in the way that it has. Absolutely mesmerizing. (Myspace)

Video: Daniel on youtube

6. Camera Obscura - My Maudlin Career (Review)

Although the album is pretty much just more of the same delicately tortured music that we've come to expect from the Obscura crew, when it sounds this good, why mess with it? The album as a whole may not be their strongest release to date, but even a lesser album by these tweesters is going to be better than most albums by anyone else. (Myspace)

Download: My Maudlin Career mp3

7. Bruce Peninsula - A Mountain Is A Mouth

I used to believe that when it comes to the music that I like, the human voice is probably the least important instrument. Bruce Peninsula have proved me wrong. The vocals and choirs on this album are celebratory to say the least, as this album is probably the most uplifting release of the year. Some have claimed that it doesn't quite reach the heights that their live show does, but if that's the case, then I still have yet to see them perform at their best because to my ears, there's never been an album that harnesses the live sound better than this one. (Myspace)

Download: Steamroller mp3

8. Elbow with the BBC Orchestra - The Seldom Seen Kid Live At Abbey Road

I've always been a big fan of live orchestral reworkings of already established albums. Some would refer to such efforts as a blasphemous form of sacrilege, but I've always thought there was something to be said about making a great album sound larger than life. To be honest, when the original version of this album won the Mercury Prize in 2008, I admittedly didn't fully understand the hype. Not only do I think that this version is better, I think it's absolutely spellbinding. (Myspace)

Video: Grounds For Divorce on youtube

9. Animal Collective - Merriweather Post Pavilion

Although this was released all the way back in January, I actually didn't get around to properly listening to it until about three months ago. Having done so, I have to admit that it is fully worthy of all of the praise that it's been receiving throughout the year, and the fact that this album seems to be topping more year end's than any other, does not surprise me. Yes, it's a little bit more streamlined and accessible than previous albums, but it's still just weird enough that it sounds like Animal Collective. Only time will tell, but there's a part of me that thinks that this may be their Pet Sounds. (Myspace)

Video: My Girls on youtube

10. Fox Jaws - At Odds (or Exercises in Separation While United In The Fall) (Review)

And those kids from Barrie have done it again! This album is everything that a sophomore release is supposed to be, and more. It's a definite step up in production (no doubt due to the masterful work of the Nevado crew), it's just experimental enough to stand on its own as a separate entity to their debut, yet it's not so different that everything that made the debut so great is suddenly lost. This album solidifies the fact that Fox Jaws are still one of my favorite bands. (Myspace)

Download: Ahab's Ghost mp3

Honorable Mention #1:
Danger Mouse and Sparklehorse - Dark Night Of The Soul

I really really contemplated including this album on the list because quite frankly, it's one of the best albums of the year by far. However, the fact that it was never technically released disqualifies it from the final list. The legal kerfuffle that prevented this David Lynch soundtrack from ever seeing the light of day has been well documented elsewhere so there's no need for me to get into that, but let's just say that it's a confirmation that Suzanne Vega has still got it, Iggy Pop and Black Francis are legendary for a reason and Julian Casablancas has the ability to not be crappy when he's being led in the proper direction by the right people. Add in appearances by Gruff Rhys, Wayne Coyne, Jason Lytle and more and you've got an album that's ... well, need I say more? I don't want to be the one that recommends that you hit them innernets and search this one out but....

Other Honorable Mentions:
Sunparlour Players - Wave North
Dog Day - Concentration
Monsters of Folk - Monsters of Folk
Great Lake Swimmers - Lost Channels
Sonic Youth - The Eternal
Various Artists - Dark Was The Night
Yo La Tengo - Popular Songs
The Racoon Wedding - Gather Gather Bones Rattle Rattle Truth
Son Volt - American Central Dust
The Schomberg Fair - Gospel
The Hoa Hoa's - Pop/Drone/Pedals
The Balconies - The Balconies
El Perro Del Mar - Love Is Not Pop

2009's best songs, shows and individual performances will be up next week, along with a review of the wicked awesome Spiral Beach show that I went to last week. Thanks for reading!

2009: The Local(ish) Rock Star Elite

Just over a year ago, I posted a cheesy US Magazine-styled list of the ten biggest rock stars in the city, and (relatively) surrounding area. It wasn't meant to be taken too seriously, since such a list would mean that I was excluding hundreds of other worthy contenders, since our city and (relatively) surrounding area is teeming with them. It was also kind of a spur of the moment thing that was initially intended to be sort of a one-off thing. But I've come to realize that people (especially rock stars) love to see themselves on lists. So I figured that I would do it again. Firstly though, a few explanations:

Although there are a few on last year's list that could have easily made the list again this year (Carleigh and Rajiv come to mind immediately), I figured that for the sake of variety I would do up these lists sort of 'Hall of Fame' style, which means that once you're in, you're in. Secondly, there is no scientifical explanation for anyone's inclusion other than you're the first ones that came to mind. I figured that with all of the local shows I attend, if you came to my head that quickly then you must've had an impact. And thirdly, just to keep things in perspective, these are all just the opinions of one man, that man being me. The Jennifer Polk's, Melody Lamb's and Lauren Schreiber's in the city see way more local talent than I do, and would likely be more qualified to make such a list but whatever. I'm having fun. So, without further ado, here's my list of the top ten local(ish) rock stars of the past year.

1. Branko Scekic

Hometown: Toronto, Ontario (well, initially Serbia but...)
Bands: Dinosaur Bones; Serb Superb
What Makes Him A Rock Star:
Although my personal enthusiasm for Dinosaur Bones is a tad more reserved than many, I know a rock star when I see one, and brotha! Branko oozes rock star. He's like the bizarre alien spawn of Frank Zappa and Flavor Flav. Whether he's blasting bass with the Bones, spitting improvised rhymes as the animated Serb Superb, or simply bounding around the audience at someone else's show, he definitely makes his presence known and I have a feeling that every band secretly wishes he was in there's as well.

2. Cameron Jingles

Hometown: Toronto, Ontario
Bands: The Disraelis
What Makes Him A Rock Star:
Some people are cool without even trying, and if you've ever caught a live show by The Disraelis, than you already know that Jingles (or Ingles depending on which source you read) isn't even interested in trying. He's our city's Lou Reed, and his rebel without a cause demeanor should be off-putting, but for whatever reason, it isn't. More like compelling.

3. Elise LeGrow

Hometown: Toronto, Ontario
Bands: Whale Tooth; Elise LeGrow
What Makes Her A Rock Star:
She's a firecracker of energy when she performs, and the fact that she can keep that flawless voice of hers in tact while bounding around that stage with an almost unnatural animation, is what makes her the rare case of being a jazz singer that still rocks.

4. Jason Loftman

Hometown: Toronto, Ontario
Band: The Paint Movement
What Makes Him A Rock Star:
The Paint Movement is the type of band that works so well together as a team, that standing out in such a group is no small feat. But the moment in every show when Loftman wails a solo on that sax is consistently the evening's highlight as he solidifies the fact that this band is doing something that I'm hearing no other band do right now, local or otherwise.

5. Jacquie Neville

Hometown: Ottawa, Ontario (now relocated to Toronto)
Bands: The Balconies; Jetplanes of Abraham (formerly)
What Makes Her A Rock Star:
Jacquie has a unique ability to completely own the stage with phenomenal poise and confidence while making sure that this self assured-ness never delves into arrogance and loss of control. I've seen performers on TV with twice the experience she has lose control of their vocals while getting drunk on their own inflated ego. Despite the amount of devotion that is thrown her way during a performance, Neville manages to avoid all of that while still having the audience eating out of her rock 'n roll hands.

6. Lee Brochu

Hometown: Toronto, Ontario
Band: The Hoa Hoa's
What Makes Him a Rock Star:
The rock star that plays the part 24/7 usually ends up burning out and/or fading away at the height of his/her success. The rock star with longevity however, lives more of a superhero lifestyle by being a mild mannered citizen by day, and a melt your face off rocker by night. This is what will likely allow supply teacher Mr. Brochu to fall into the latter category as the respected day job is undoubtedly what frees him up to whip a crowd into that psychedelic haze that he does at every show.

7. Paul Banwatt

Hometown: Toronto, Ontario
Bands: Rural Alberta Advantage; Woodhands, We're Scared
What Makes Him A Rock Star:
It has been consistently noted that the drummer is the backbone of the band. In other words, a bad band can have a great drummer and actually sound pretty good. In the case of the bands that Banwatt plays in, a great drummer can make an already great band sound absolutely earth shattering. Banwatt is currently my favourite drummer in the city (next to last year's #1 rock star on my list) and his ability to take a simple pop song and turn it into something epic (i.e. Don't Haunt This Place) is a rock 'n roll move that cannot be overstated.

8. Matt Bahen

Hometown: Toronto, Ontario
Band: The Schomberg Fair
What Makes Him A Rock Star:
This speed gospel renegade preaches with an electrified ukulele in hand and manages to convert every crowd member to his lyrical cowpunk methodology. The man is the most down-to-earth type of gentleman you'll ever meet offstage, but onstage, the dude is downright exhausting and with new opening slots for Ron Sexsmith and The Sadies on the horizon, I'm pretty sure that you'll be seeing his name on a few more lists by this time next year.

9. Yann Godbout

Hometown: Montreal, Quebec
Bands: Half Baked; The Sound of Sea Animals
What Makes Him a Rock Star:
It may be a risky move to include a guy whom I've only ever seen once, but the impression he made was very strong and according to some other reviews that I've seen, that one show was not a case of him simply having a particularly good night. The man pulls out every cheesy rock 'n roll cliché the book contains, from swirling windmills to down-on-your-knees Hendrix-isms to run-through-the-audience-like-a-madman jocularity. When it comes to rock 'n roll, originality may be an asset, but sometimes a tried and true cliché is just as much fun.

10. Brad Weber

Hometown: Waterloo, Ontario
Bands: Pick A Piper; Caribou.
What Makes Him a Rock Star:
Being a rock star is undoubtedly a lot of work, and you'd be hard pressed to find someone who works harder on stage than Brad Weber. As soon as he hits the stage, he exudes a hypnotic mystique that cannot be forced nor faked and the second he joins his bandmates in that tribal percussive assault that PaP have been garnering great recognition for, you cannot help but forget about the cares of the day and succumb to his mysterious charm.

Last Year's Ten:
1. Robbie Butcher (Tin Bangs; Nights)
2. Jamie Greer (Golden Hands Before God)
3. Carleigh Aikins (Fox Jaws)
4. Dorian Wolf (Spiral Beach)
5. Patrick Krief (Black Diamond Bay; The Dears)
6. Wayne Petti (Cuff The Duke; Wayne Petti)
7. Rajiv Thavanathan (Oh No Forest Fires; Five Blank Pages)
8. Johnny Maldorer (Les Breastfeeders)
9. Sarah Smith (The Joys)
10. Lonely Vagabond (Maestro of Myspace)

"Spiders are singing in the salty breeze ... spinning out webs of deductions and melodies"

Precursor Ramblings To Bobby B's 50 Albums of the Decade...

It's hard to believe that we're already 10 years into this millennial decade. It seems like only yesterday we were all in fear of Y2K and all of the nonsense associated with that. I always assumed that by this time I'd be flying around in my fuel efficient time machine Delorean, paying $400 for a Coke and fighting intergalactic battles with Wilma Deering by my side. It was 100 years ago that Ottawa won its first Stanley Cup as the Ottawa Senators and it was also that same year when the first commercial flight took place. We're just shy of two years away from the 100th anniversary of the Titanic's massive sinking and just four years away from the 100th anniversary of WW1. We're currently also about 51 years away from Halley's Comet's next appearance.

But random wikipedia stalkings aside, at this here blog it's all about the music, and the internet age of this last decade has seen music become more and more accessible to the masses, as the general public is finally in a position where they get to choose for themselves what they're going to listen to. Sadly, the large majority still hasn't taken advantage of this newfound freedom, opting to put money in the pockets of all of the Theory of a Nickelcreeds and Taylor bleedin' Swift's out there, but I don't think that we'll be seeing that for too much longer. The foul stench of the music industry's rapidly decaying corpse is becoming stronger than ever, and the public will soon have no other choice but to look to podcasts, blogs and other independent sources to feed their musical appetite which means gaining recommendations from people who actually enjoy music. What a novel idea! We're inching that much closer to an era where the important thing will no longer be what a singer's midrift looks like or what music some stuffed shirt has slapped into the pretty person's teen drama of the moment, but it will finally depend on the actual sounds coming through your speakers. OK, maybe I'm dreaming, but when has dreaming ever hurt anybody?

Still, in the meantime, for those who actually care, we have access to more music than ever before, which means that, to my ears, music has never sounded better. I'm sure that hundreds would disagree with me, but I feel that the "oughts" have been the best decade for music since the 1960's, and I've found it downright impossible to keep up with every band, genre and artists that appeals to me; a problem I've never encountered before. However, this is a fun problem to have as I've been spending the last couple of months revisiting all of the music that I've been introduced to since the year 2000 in an effort to compile a list of my favorite albums of the decade. And I'm happy to say that, by George, I think I've got it!

Starting tomorrow, I'll be taking you on a two week journey through my top 50 albums of the decade. I don't think that there'll be a huge ton of surprises, especially for those who have been following my blog at all over the last few years. I worked hard to be as objective as I can be though, not allowing myself to be swayed by popular opinion or common thoughts on what is "hip" or "cool" or (ugh) "indie." There are a few choices that are pretty much exclusive to my own personal list, not because these albums are that much better than everyone else's, but more because I've grown a personal attachment to them. Of course, there are other albums that are making all of the "decade end" lists simply because they deserve it, and you're gonna find these ones on my list too. (Yes, of course Arcade Fire made my list because I'm not an idiot, but it's not number one nor is it in the top ten.)

So I hope you enjoy my ten day foray into self indulgence (eleven days if you include this wordy rambling) as I will have album's 50 - 46 posted early tomorrow morning.

The title lyric is from the song 'Spiders (Kidsmoke)' by Wilco (pictured above), an artist that makes a couple of appearances on the list.